This week I've realized that people have many ways of conversing with stones, not always involving sound. Rock walls were the first art surface, and modern people still enjoy looking at cave art and wondering what those image-filled surfaces are saying. We have a rich relationship with all kinds of rocks.
TAIHU ROCK, Chinese, Qing dynasty, 1644-1912, Gift of the P.Y. and Kinmay W. Tang Center for East Asian Art, and museum purchase, Asian Art Department Fund [2008-65], Princeton Unversity Art Museum. |
Recently I visited The Princeton University Art Museum in Princeton, New Jersey. After viewing the brilliant special exhibit, "The Fertile Crescent: Gender, Art, and Society", I went downstairs to the Asian art collection. At the bottom of the stairway there is a magnificent decorative garden rock, riddled with holes. Of course I've seen these rocks before in Chinese gardens but I was surprised to learn that that these limestone "Taihu Rocks", were formed by collaboration between man and nature. This rock would have been drilled with holes and then immersed under water in Lake Tai in Jiangsu province for perhaps hundreds of years until nature carved, smoothed, eroded and shaped it into its present form. The resulting "Chinese scholars' rock" was probably displayed in a garden where one could ponder the fascinating shapes it presents. Surely these rocks must speak as the wind whistles through their holes? Surely they tell stories from their water years?
When I was a kid my parents always planted a huge vegetable garden in our Illinois backyard. One day they found a rock that looked exactly like the potatoes my mother was digging up for dinner. In what was an out-of-character mischevious mood, she heated it up with the other spuds and served it to my sister who promptly burned herself with it and did NOT laugh. A long string of apologies did not allay her offense at having received a stone instead of a potato on her plate. My mother had no comic talent and felt terrible at her misjudgement. Whenever I see a "potato rock" I think of that prank gone awry. Perhaps this story has something to do with my enjoyment of making ceramic "rocks" and mixing them in with real rocks as I did in my Solastalgia installation:
Rocks detail, SOLASTALGIA, ©Joy Kreves 2010 |
I was at Ringing Rocks Park in Eastern Pennsylvania again this past week. The land there is riddled with boulders large and small, deposited by glaciers so long ago... In the middle of a boulder-filled forest
Boulder field at Ringing Rocks Park, Pa, photo ©Joy Kreves |
Rocks pitted from hammer hits. Photo ©Joy Kreves |
I have a large heart shaped rock that came to my attention shortly before my mother died. For me, this rock symbolizes her presence and I placed it beneath a tree that I can see out my kitchen window. Once when I did an internet search I found that there are lots of people who have whole collections of heart rocks. That isn't my goal, but I appreciate the one that seemingly found me.
At our grave sites we ask the carved and polished headstones to mark where we lie, and the pebbles to tell we came to visit. We throw them in anger. We skip them on water and live in houses built from them or have counters topped with polished slabs of them; we value their sculptural forms and we find "special" ones. We wear polished, faceted gemstones if we can afford them, for their symbolism. The Taihu rocks were eroded by natural lake water in a gentle conversation between man and nature. Here in the United States our bedrock is now being fractured with a man-made toxic stew in our desperate grab for more natural gas. I don't know what our energy solution is but surely it cannot rely on this method that too easily poisons us and our environment!
Rocks are holders of meaning. It seems all people are attracted to them and we each have our own relationship with them. I am thankful for the continual evolution of my own relationship with rocks.
Joy, this is wonderful reading, thank you. I didn't know about the rock place in Pa, but must make a point of seeking it out now that I know.
ReplyDeleteFascinating - I didn't know about the custom of leaving pebbles either . As a ceramicist I was wondering if ceramics had an alternative beginning to the usual " silly cavewoman drops basket lined with clay in fire " scenario . Supposing someone was trying to imitate the action of a volcano on a rocky landscape ? Which would also explain the relentless drive to increase the plateau temperature of kilns . Also the 1st fired clay was statuettes - elsewhere carved from soft rocks , bone , wood etc .
ReplyDeleteI actually hadn't heard those scenarios! It would seem more likely that the clay was being used for statuettes, then there was a fire...
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